How and where we place our shapes in a painting is what makes a composition more dynamic. One design philosophy is when you are working with similar shapes to always have a Papa, Mama and Baby shape in your painting. You can use this idea for the overall composition like I did in the Magnolia watercolor. I have my Papa flower at the bottom, then my Mama flower and the Baby one at the top.
When painting groups of similar shapes - trees, rocks, fence posts, fruit, boats - first organize the shapes in to papa, mama and baby size clusters and then within each cluster make three sizes of shapes.
The three sunflowers are almost the same size but the top one is the papa shape with a larger center and more interesting petals, the mama flower at the bottom and the smaller baby to the left.
Three main clusters of grapes, papa on the left, mama on the right and baby at the top. I also tried to vary the distance between the clusters.
For the close up of the iris I tried to vary the shape of the petals and group the two at the top for the papa shape, the two on the lower left for the mama and the baby petal on the lower right.
The three koi are very similar in size but the one at the top is slightly smaller and the one at the bottom is a little fatter and has bolder shapes on his back to make him the papa fish.
In this southwestern landscape the two buttes in the foreground make up the papa shape, the left one in the distance is the mama and the one on the right is the baby. Looking at it now with fresh eyes, I probably should have made the baby butte a little smaller.
I hope these examples will help you apply the Papa Mama Baby design concept to your own painting. If you are new to Creative Monday I would love to have you join us. You can read more about it and get info on joining the free Facebook Group here.